Featuring: Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp, Lasse Fogelstrøm, Susse Wold, Anne Louise Hassing, Lars Ranthe, Alexandra Rapaport, Ole Dupont
Director: Thomas Vinterberg
Writer: Thomas Vinterberg, Tobias Lindholm
2012-13 Lotterywest Perth Film Festival season dates:
Somerville 7–13 January, 8pm; Joondalup Pines 15–20 January, 8pm
Reviewer: rolanstein (one-word verdict: stunning)
Story:
Lucas (Mads Mikkelsen) lives in a small tight-knit Norwegian rural town, and is going through a rough patch. He’s entangled in a bitter custody battle over his teenage son with his ex-wife and is a casualty of the flailing economy. Having lost his teaching post, he is working with kids in a temporary position at the local kindergarten. One of the children, Klara (Annika Wedderkopp), the daughter of his best friend Theo (Thomas Bo Larsen), develops a crush on him, and is hurt by his gentle redirection of her affections towards her peers. In retaliation, and referencing some pornographic images her older brother has flashed at her from his iPad, she lies that Lucas has exposed himself to her. The head of the kindergarten mishandles the subsequent investigation, and before long the rumour that Lucas is a child molester has spread through the town. Deserted by all but one of his long-term friends, his fight to establish his innocence appears a hopeless cause as the town closes ranks against him.
Review:
The movie opens with a scene of idyllic natural beauty and tranquility: a group of deer grazing in a forest. A shot rents the quiet and the animals scatter. But one has been hit, and is easily traced by hunters following the blood trail, who find it not far away, breathing its last. Then follows a traditional ritual of celebratory boozing, the hunters – town locals including Lucas – laughing loud and raucous into the night, playing drinking games around a long wooden table and chanting encouragement as the “loser” skols his beer.
Thus, the scene is set symbolically for what is to follow, the irony being that Lucas is soon to become the innocent hunted, convicted without trial and spurned by all seated around the long table of mateship and bonhomie. Parallels with the Last Supper are retrospectively unavoidable, though not apparent at this early stage of the film. Continue reading The Hunt Movie Review